Saturday, October 20, 2012

Mahalaya


Come September, and Hindus all over the world get enthused in festive fervor. Come “Mahalaya” and Bengalis get busy to complete the final preparations for their greatest festival - Durga Puja (1).

Mahalaya is an auspicious occasion observed seven days before the Durga Puja, and heralds the advent of Durga, the goddess of supreme power. It's a kind of invocation or invitation to the mother goddess to descend on earth - "Jago Tumi Jago". This is done through the chanting of mantras and singing devotional songs (1).

Mahalaya marks the start of the 'Devipaksha' and the end of the 'Pitri-paksha'. The traditional six day countdown to Mahasaptami starts from Mahalaya. 

Pitri paksha, (literally "fortnight of the ancestors") is a 16–lunar day period when Hindus pay homage to their ancestors. The period is also known as Pitru Pakshya, Pitri Pokkho, Sola Shraddha ("sixteen shraddhas"), Kanagat, Jitiya, Mahalaya Paksha and Apara paksha (2).

As per legend, when Karna died in the epic Mahabharata, his soul transcended to heaven. There he was offered jewelry as food. Bemused, Karna asked Indra for the reason of this bizarre happening. Indra told him that because of the fact that he has never donated food to his ancestors in Shraddhas, during his lifetime, he was getting such treatment. Karna said that he was unaware of his ancestors and hence he had no chance of donating food to them. He was given a chance then to make amends. He returned to earth for a 16 day period and performed Shraddha and donated food in memory of his ancestors. This period is henceforth known as Pitri-Paksha (3)

Mahalaya marks the start of the 'Devipaksha' and the end of the 'Pitri-paksha'. Goddess Durga starts her journey towards earth on the day of Mahalaya, i.e. on the first day of the Devi-Paksha (3).

This day bears immense significance for the Bengalis. According to Puranas, King Suratha used to worship goddess Durga in spring. Thus Durga Puja was also known as Basanti Puja (3).

Basanti Puja is performed in the month of Chaitra in Bengali calendar which corresponds to March-April of English calendar. Basanti Puja is an age old Bengali festival when Goddess Durga is worshiped by the Bengali community in Kolkata as well as other parts of India where Bengali families live in large numbers. However, Basanti Durga Puja has lost its utmost importance since the time when Lord Rama is believed to have done untimely Durga Puja in Autumn (4).

Early autumn (5) or Sarat in its bloom, mingled with the festive spirit of Durga Puja reaches its pitch on the day of Mahalaya. It is the day when many throng to the banks of river Ganga, clad in dhotis to offer prayers to their dead relatives and forefathers. People in the pre-dawn hours pray for their demised relatives and take holy dips in the Ganges. This ritual is known as 'Torpon'. (3)

The eldest son is the one who generally performs the Shraddha. Any male relative of the paternal branch of relatives can also perform the rites. Some castes perform for only one generation, while others offer to more, commonly three generations (3).

The one who performs the Shraddha is expected to take a holy bath and then should wear a dhoti. The Pinda –daan (offerings during the Shraddha) are made bare-chested. Then a cow and dog are also fed. The Brahmins are offered then with the food. Once all these are done with, the family members can begin their lunch (3)

Since the early 1930s, Mahalaya has come to associate itself with an early morning radio program called “Mahisasura Mardini” or “The Annihilation of the Demon.” This All India Radio (AIR) program is a beautiful audio montage of recitation from the scriptural verses of “Chandi Kavya”, Bengali devotional songs, classical music and a dash of acoustic melodrama. The program has also been translated into Hindi set to similar orchestration and is broadcast at the same time for a pan-Indian audience (1).

This program has almost become synonymous with Mahalaya. For decades now, the whole of Bengal rises up in the chilly pre dawn hours, 4 am to be precise, of the Mahalaya day to tune in to the “Mahisasura Mardini” broadcast.

One man who'll always be remembered for making Mahalaya memorable to one and all is Birendra Krishna Bhadra, the magical voice behind the “Mahisasura Mardini” (6). The legendary narrator recites the holy verses and tells the story of the descent of Durga to earth, in his inimitable style.

Bhadra has long passed away, but his recorded voice still forms the core of the Mahalaya program. In a sonorous, reverberating voice Birendra Bhadra renders the Mahalaya recital for two thrilling hours, mesmerizing every household with the divine aura of his narration, as the Bengalis submerge their souls in quiet moments of prayer.

“Mahisasura Mardini” is a remarkable piece of audio drama matchless in Indian culture. Though the theme is mythical and the mantras Vedic, this program is a landmark composition. It's scripted by Bani Kumar, and narrated by Bhadra. The enchanting music is composed by none other than the immortal Pankaj Mullick, and the songs are rendered by famous singers of yesteryears, including Hemant Kumar and Arati Mukherjee (7).

As the recital begins, the serene morning air resonates with the long drawn sound of the sacred conch shell, immediately followed by a chorus of invocation, melodiously setting the stage for the recitation of the Chandi Mantra. The story element is captivating. It speaks of the increasing cruelty of the demon king Mahisasura against the gods. Unable to tolerate his tyranny the gods plead with Vishnu to annihilate the demon. The Trinity of Brahma, Vishnu and Maheswara (Shiva) come together to create a powerful female form with ten arms - Goddess Durga or 'Mahamaya', the Mother of the Universe who embodies the primeval source of all power.

The gods then bestow upon this Supreme creation their individual blessings and weapons. Armed like a warrior, the goddess rides a lion to battle with the Mahisasura. After a fierce combat the 'Durgatinashini' is able to slay the 'Asura' king with her trident. Heaven and earth rejoice at her victory. Finally, the mantra narration ends with the refrain of mankind's supplication before this Supreme Power : "Ya devi sarbabhuteshshu, sakti rupena sanksthita Namasteshwai Namasteshwai Namasteshwai namo namaha." (1)

References:

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1.
Das S. [Online]. [cited 2012. Available from: http://hinduism.about.com/cs/audiomusic/a/aa092003a.htm.
2.
[Online]. [cited 2012. Available from: http://en.wikipedia.org/wiki/Pitru_Paksha.
3.
[Online]. [cited 2012. Available from: http://www.bangalinet.com/mahalaya.htm.
4.
5.
[Online]. [cited 2012. Available from: http://en.wikipedia.org/wiki/Sharad.
6.
[Online]. [cited 2012. Available from: http://en.wikipedia.org/wiki/Birendra_Krishna_Bhadra.
7.
[Online]. [cited 2012. Available from: http://en.wikipedia.org/wiki/Mahishashura_Mardini.
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